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・ Georges Saillard
・ Georges Sainte-Rose
・ Georges Santos
・ Georges Sari
・ Georges Sarre
・ Georges Saupique
・ Georges Savaria
・ Georges Scelle
・ Georges Schehadé
・ Georges Schiltz
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Georges Seurat
・ Georges Simenon
・ Georges Skandalis
・ Georges Smal
・ Georges Sorel
・ Georges Spanelly
・ Georges Speicher
・ Georges Spénale
・ Georges St-Pierre
・ Georges Staquet
・ Georges Stein
・ Georges Stern
・ Georges Stuber
・ Georges Suarez
・ Georges Surdez


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Georges Seurat : ウィキペディア英語版
Georges Seurat

Georges-Pierre Seurat (;〔"Seurat", ''Random House Webster's Unabridged Dictionary''〕 2 December 1859 – 29 March 1891) was a French post-Impressionist painter and draftsman. He is noted for his innovative use of drawing media and for devising the painting techniques known as chromoluminarism and pointillism. Seurat's artistic personality was compounded of qualities which are usually supposed to be opposed and incompatible. On the one hand, his extreme and delicate sensibility, on the other a passion for logical abstraction and an almost mathematical precision of mind.〔Fry, Roger Essay, 'The Dial', Camden, New Jersey, September 1926〕 His large-scale work, ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886), altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of late 19th-century painting.
==Biography==


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